How do we shape nature through labour and how does labour shape a human body? – Two performers from different traditions: a contemporary and a neo-flamenco dancer inhabit this question in a set that incorporates soil and crops.
The piece juxtaposes imagery and sounds from the farming industry to the performers' very own trade of being a dancer. With audience surrounding it, the stage is transformed into a large speaker with technology that makes the floor reverberate, setting the soil and the dancers in motion.
Artist / Company Bio
Led by choreographer Tina Tarpgaard, Recoil creates choreographic works for beings, objects and spaces. The driving force is to decenter the human from the performative space and foster critical thinking.
In several award-winning performances, this was explored through the interaction of human movement and software art. In later years, the research has pursued more analogue universes, which have included other biological entities to put into perspective human presence in the ecosystem and speculate about future scenarios.
Tina Tarpgaard and producer Carlos Calvo are cofounding members of the Danish platform MOMAK (Movement Makers cooperative)
Credits
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Choreographer
Tina Tarpgaard -
Co-creating dance artists
Hilde I. Sandvold and Jossette Reilly -
Composer, sound design and production
Lars Greve (Resonerende Rum) -
Light designer
Andreas Buhl -
Sound design
Mikkel Larsen -
Costume designer
Inbal Lieblich -
Producer
Carlos Calvo
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Produced by
Recoil Performance Group & Resonerende Rum -
Supporters
Danish Arts Foundation, Bikuben Fonden, Wilhelm Hensen Fonden, Willem Demant Fonden, Augustinus Fonden -
Premiere date and place
18-05-2021. Vedersø (Denmark)
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Duration (minutes)
50 min -
Stage dimensions
Optimal 11 x 11 x 4,5 m (with audience on 4 sides) -
Target group
12 and up